Upcoming events
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location:FA 192 / Studio A
Price:鷡
For more events and information please visit the music departmentevents page
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location:FA 192 / Studio A
Price:鷡
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location:FA 192 / Studio A
Price:鷡
Box office
For more events and information please visit the music departmentevents page
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
Art & Design is presenting a special lecture by painter,. Please come and share with your students.
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Visiting Artist Lecture
Monday April 7th, 4 pm
FA258
Free; open to all
Kirsten Deirup’s portrait paintings have been compared to the work of Giuseppe Arciboldo and explore a territory where theater, nature and devastation commingle. She accentuates uneasy relationships that appeal to our subconscious by depicting a reality that is beyond explanation.
Kirsten Deirup (b. 1980, Berkeley, CA) attended The Cooper Union, New York, NY. She has had solo exhibitions at Hesse Flatow, New York, NY; Nichelle Beauchene Gallery, New York, NY; Guild and Greyschul, New York, NY; Rare, New York, NY and de boer, Los Angeles, CA. Group exhibitions include; Morgan Lehman Gallery, New York, NY; Jeff Bailey Gallery, New York, NY; Marc Wolf Contemporary Art, San Fransisco, CA; Geoffrey Young Gallery, Great Barrington, MA; and Roberts and Tilton, Los Angeles, CA.
Wednesday, April 9, 6pm - 8pm
Old Champlain Hall, Atrium
In a special collaboration with the Human Rights Institute, the Creative Writing Program welcomes novelist, poet, essayist, playwright, and screenwriter Chris Abani. He is the author of the poetry collections Smoking the Bible and Sanctificum, the novels Song for Night and GraceLand, and the essay collection The Face, among many other books. His work has been translated into French, Italian, Spanish, German, Swedish, Romanian, Hebrew, Macedonian, Ukrainian, Portuguese, Dutch, Bosnian, and Serbian. Through his TED Talks and other public speaking, Abani is known as an international voice on humanitarianism, art, ethics, and our shared political responsibility.
This concert and guest artist appearance are made possible through the Karen and Robert Pompi jazz artists series endowment.
Box office
For more events and information please visit the music departmentevents page
2025 Art & Design BFA Exhibition
April 10th – April 24th, 2025
Opening Reception: Thursday, April 10th, 4:30 – 6:30 pm
Elsie B. Rosefsky Memorial Art Gallery, FA 259
The eighteen graduating Art & Design BFA students will feature their works in the exhibition Convergence. The exhibition opens to the public April 10th, with an opening reception at 4:30 pm, and will remain on view until April 24th. The exhibition is free and open to the public.
Convergence is a tribute to years of growth, experimentation, and refinement. It symbolizes not just an ending, but a powerful moment of synthesis between these artists before they progress on to their next chapters. It highlights the conjunction of unique perspectives that define this graduating class. Convergence suggests both a meeting point and a moment of transformation—where individual paths merge, yet retain their distinct influence.
’s Bachelor of Fine Arts (BFA) is a pre-professional degree with an intensive focus in studio art and design for students who wish to pursue arts-related careers. Our students go on to work in a wide range of creative industries; as practicing artists after graduation; or go on to pursue graduate degrees. Students can choose to concentrate in Drawing, Painting, Sculpture, Photography, Printmaking, or Graphic Design.
The 2025 BFA artists are: Kimora Bedeau, Shane Conklin, Sammy Feng, Emily Gangloff, Ashley Gibs, Haley Keener, Simon Liebskind, Margo MacWilliams, Alexis Magera, Andrew Nieves, Emily O'Reilly, Lucciana Robertson, Elizabeth Serjantov, Anh Sciscent, Mayna Sengsouvanh, Amiah Shoultes, Daisy Solis, and Anna Stacey.
Adrian Anagnost
Associate Professor, History of Art,Tulane University
"Naming Waters, Claiming Lands: Territorial Fictions and Ecological Entanglements in the Gulf South"
Thursday 10 April
6:00 PM
Fine Arts 258
This concert and guest artist appearance are made possible through the Karen and Robert Pompi jazz artists series endowment.
Box office
For more events and information please visit the music departmentevents page
Mike Montano - music and music production
Psych Montano is a musician, live event coordinator, and artist development consultant from Long Island, NY currently residing in Tampa, FL. He won Album of the Year in 2021 for the Greater Tampa Bay, Pasco, and Pinellas County areas for his collab album “Mansion Music” (with Albert J), recognized by Tampa’s premier independent news outlet, Creative Loafing. The release party for “Mansion Music” sold over $10,000 in tickets and is the only hip hop event to take place at Tampa’s most premier luxury venue, CW’s “The Vault”. In 2025, Psych dropped his solo debut full-length album “Skeleton Key”, featuring award-winning producer Sponatola, viral sensation Alfred Banks (SaxKixAve), and Shevonne Philidor, who competed in The Voice, American Idol, and sings the national anthem at Tampa Rays, Lightning, and Bucs games. His catalogue features collaborations with Grammy-nominated Mega Ran, Rolling Stones Magazine-featured Mickey Factz, VH1 “Signed” star Ren Thomas, viral battle rapper Aaron Sawyer, Roc Nation affiliate Gat$, and underground hip hop legend Cambatta.
Jonathan Lee - music producing/engineering
BAND!T is a Billboard-charting producer and Grammy-nominated engineer with a deep passion for music. Most recently, he produced half of Maino’s project Mainovation, including the single Big Dog, which was featured on BET Jams. He also contributed music for Paper Planes, Jay-Z’s fashion brand, in support of their latest collection drop. His past production work includes Sorry 4 What by Tory Lanez, which peaked at #2 on the Billboard Rap Albums chart, and "Krissyb" by Roc Boyz, which reached #20 on Billboard Norway Songs. As an engineer, he was nominated for Album of the Year for his work on Beyoncé’s self-titled album.
The Music Department and Creative Writing Program continue their 4th annual collaboration this spring. Student composers, writers, and performers create compositions that celebrate poetry, music, and the singing voice.
Presented in conjunction with the Art Museum’s Spring 2025 exhibition, Monuments:Commemoration and Controversy, this semester-long project culminates in live performances of over a dozen new musical works.
Guided by Professors and fellow artistsTina Chang, Daniel Thomas Davis, Lembit Beecher, James Budinich, Hippocrates Cheng, Jen DeGregorio, Thomas Goodheart, Brenda Iglesias, and Joe Weil, this unique assembly of talent highlights the breadth and depth of imagination that make such an inventive and inspiring place to study and create.
Sponsored by School of the Arts and BU Art Museum.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas):Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College):Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University):Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
2025 Art & Design BFA Exhibition
April 10th – April 24th, 2025
Elsie B. Rosefsky Memorial Art Gallery, FA 259
The eighteen graduating Art & Design BFA students will feature their works in the exhibition Convergence. The exhibition opens to the public April 10th, with an opening reception at 4:30 pm, and will remain on view until April 24th. The exhibition is free and open to the public.
Convergence is a tribute to years of growth, experimentation, and refinement. It symbolizes not just an ending, but a powerful moment of synthesis between these artists before they progress on to their next chapters. It highlights the conjunction of unique perspectives that define this graduating class. Convergence suggests both a meeting point and a moment of transformation—where individual paths merge, yet retain their distinct influence.
’s Bachelor of Fine Arts (BFA) is a pre-professional degree with an intensive focus in studio art and design for students who wish to pursue arts-related careers. Our students go on to work in a wide range of creative industries; as practicing artists after graduation; or go on to pursue graduate degrees. Students can choose to concentrate in Drawing, Painting, Sculpture, Photography, Printmaking, or Graphic Design.
The 2025 BFA artists are: Kimora Bedeau, Shane Conklin, Sammy Feng, Emily Gangloff, Ashley Gibs, Haley Keener, Simon Liebskind, Margo MacWilliams, Alexis Magera, Andrew Nieves, Emily O'Reilly, Lucciana Robertson, Elizabeth Serjantov, Anh Sciscent, Mayna Sengsouvanh, Amiah Shoultes, Daisy Solis, and Anna Stacey.
"First Things" conversationwith
Hippocrates Cheng (Assistant Professor, Music)
Andrea Gyenge (Assistant Professor, Cinema)
Jennifer Stoever (Associate Professor, English, General Literature and Rhetoric)
Thursday 24 April
5:00 PM
Location TBA
iLuminate
Thursday, April 24, 2025
Osterhout Concert Theater | 6 p.m.
From the moment the lights fade to darkness, you are transported into another world, another dimension, where the music moves you and the visuals are unlike anything you’ve ever seen. Welcome to iLuminate, named “Best New Act in America” by America’s Got Talent in 2011. A fantastic fusion of cutting edge technology and dance, iLuminate features a cast of the country’s top dancers performing to energetic music, including top pop and rock hits from the 1970s through the 1990s, a little jazz, a little Latin, a little hip-hop, and more. The dancers are outfitted with customized LED suits synced to iLuminate’s proprietary software to create extraordinary lighting effects with each of the phenomenally choreographed dance moves.
Friday, April 25, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4| 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4| 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4| 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
This event is free and open to the public; feel free to bring friends and students.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location:FA 196 / Studio B
Price:鷡
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location:FA 196 / Studio B
Price:鷡
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4| 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location:FA 196 / Studio B
Price:鷡
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location:FA 196 / Studio B
Price:鷡
4/25, 4/26, 5/2 | 8 p.m.
4/26 & 5/4| 2 p.m.
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
May 5-9 , 2025|M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
No opening reception for this exhibition apart from Festival of the Arts / Open Studio Night existing events.
Jerry Zee
Assistant Professor, Anthropology,Princeton University
"Fault Zones: Sino-American Encounters with Geophysics"
Monday 5 May
6:00 PM
Lecture Hall 9
Friday, May 9, 6pm - 7:30pm
Online
This event will celebrate the new issue of BU's graduate-student-led literary magazineHarpur Palate's new issue with readings by the winners of the Harpur Palate Prize for Nonfiction and the John Garner Award for Fiction as well as the guest judge of each prize, Lily Dancyger and Marjorie Celona.
Organized by The New York Historical
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Main galleries | Free Admission
The Art Museum presents Monuments: Commemoration and Controversy,organized by The New York Historical, on view February 27 to June 14, 2025. The exhibition explores public monuments and their representations as points of debate over national identity, politics, and race. Monuments offers a historical foundation for understanding recent controversies, featuring fragments of a torn-down statue of King George III, a replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public monument to a Black woman (Harriet Tubman), among other objects. The exhibition reveals how monument-making and monument-breaking have long shaped American life as public statues have been celebrated, attacked, protested, altered, and removed.
Monuments: Commemoration and Controversy is curated by Wendy Nālani E. Ikemoto, Vice President and Chief Curator at The New York Historical. The exhibition is supported by the Terra Foundation for American Art. Additional support is provided at by the Office of the Provost, the Division of Diversity, Equity and Inclusion, the Harpur College Dean’s Office, the Fund for Excellence, the Kaschak Institute for Social Justice for Women and Girls, and Rebecca Moshief and Harris Tilevitz ’78.
History and Myth: Violence in Early Modern Prints
Japanese Design and the Arts and Crafts Movement in New York
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Lower Galleries| Free Admission
Three small exhibitions: Chiura Obata: Japanese Art in America, curated by Yao Shen He ’27; History and Myth: Violence in Early Modern Prints, curated by Leah Dascoli ’26; and Japanese Design and the Arts and Crafts Movement in New York, curated by Joseph Leach, Curator of Collections and Exhibitions.
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Mezzanine Gallery| Free Admission
Existential Color: Photography from the Permanent Collection, organized by John Tagg, SUNY Distinguished Professor of Art History and Luisa Casella, Photograph Conservator, Fellow of American Institute for Conservation. In 1976, John Szarkowski, Director of the Department of Photography at the Museum of Modern Art, New York, hailed the arrival of a “new generation of color photographers” who saw color as “existential,” “as though the world itself existed in color.” This “new generation” included William Eggleston, Stephen Shore and Joel Meyerowitz, whose work here prompts a wider re-examination of color in Art Museum’s photographs collection. Within this exhibition, which features works made between the mid 1970s and the early 2000s, a display of historical processes dating back to the mid-nineteenth century shows that color was an integral part of photographic expression from its very beginnings. What viewers are asked is whether Szarkowski’s notion of a decisive break holds up, or whether the question of color and photography has to be seen from a much longer and broader historical perspective.